Appears on I Saw Bones (2000)
Spaces generally sanctioned for public and private acts are confused as Haug employs science as the bridge between eroticism and repression.
Appears on The Banana Cremeletter (2000)
The condensed narrative of the The Booby Trap swiftly relays the ambiguity of a dirty joke. In this naughty story, the described patriarchal relations acknowledge both the mythology of the phallus and its real power.